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a comparative analysis of the representation of ‘9/11’ in Moore’s Fahrenheit 9/11 and Greengrass’

Topic: The Documentary Film

Seminar Discussion: Offer a comparative analysis of the representation of ‘9/11’ in Moore’s Fahrenheit 9/11 and Greengrass’ United 93. According to Alison Young, Iñarritu’s 11’09”01: Mexico was proclaimed by ‘SBS’s The Movie Show’ “indefensible”. Why? What is the relationship between a fictionalised historical event and the ‘document’ of recent history? How do these films function as a virtual memory of an actual event? Engage with Zizek’s appropriation of Baudrillard’s Desert of the Real in relation to the ‘spectral image’ of 9/11.

Category: Uncategorized

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